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Synopsis

Tom Cruise delivers one of his finest performances in this unforgettably powerful film that reunites him with Cameron Crowe, the director of Jerry Maguire. Young, handsome and wealthy, publishing tycoon David Aames can have anything his heart desires. Still, David's charmed life seems incomplete. One night, David meets the woman of his dreams and believes he may have found the missing piece. But a fateful encounter with a jealous lover suddenly sends David's world out of control, rocketing him on a roller-coaster ride of romance, sex, suspicion and dreams...to a shocking, final awakening you will never forget.

Movie info:

Release:
2002
Running Time:
136 min
Certificate:
Suitable only for 15 years and over
Availability:
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Reviews & comments (3)

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Showing 1 - 3 of 3

  1. Christian Opeskine Christian Opeskine

    Great

    20 July 2011
    I think the film is great. Good acting, and the film allows you to think it through, discover it, not like many other films which just give away the plot in the first minutes.
  2. abdul wazed bhuiyan abdul wazed bhuiyan

    good

    18 April 2010
    somewhant agree with the above user but all in all was a good mind bending movie 7/10
  3. Natacha Von Braun Natacha Von Braun

    awful

    06 December 2008
    Hollywood has a long history of arrogantly making bad remakes of 'foreign' films but this has to rank as one of the worst. Tom Cruise does his usual impersonation of, well, Tom Cruise in this tale of successful businessman whose life takes a downward turn after a jealous lover runs him off a bridge, disfiguring his beautiful face. Cruise is slightly grating as usual but it's director Cameron Crowe who must shoulder the blame for this mess of a film. Never one to trust his audience's ability to decipher a scene Crowe smothers every scene with pop music, whilst littering the script with pop culture references in a classic example of 'tedious middle-aged man desperately trying to prove how cool he is' syndrome. Add this to one of the most gob-smackingly cop-out endings ever (of course, 'it was all a dream...') and you're left with a smug, self-aware, UTTERLY EMPTY waste of celluloid.

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